Your reading pleasure today is sponsored by:
Pustular / How Can I Diagnose Panic Attacks / Bat Wing / Billie Bradley And Her Inheritance / Classic Books /
Oz Islam Online Cotton Anniversary Gift Personalized Presents Psoriasis Relief Audio Holmes Sherlock Sherlock Holmes Film 1985 Alice In Wonderland Mowgli Jungle Book Corporate Gift Hamper Wedding Favor Gift


Home Up <-Prev Next ->

Some folk took that seriously--folk at hame, in the main. They've anidea, in America, that English folk and Scots ha' no got a great senseof humor. It's not that we've no got one; it really is just that Americans ha'a humor of a different sort. They've a verra keen sense o' theridiculous, and they're as fond of a joke that's turned againstthemselves as of one they play upon another pairson. That's a finetrait, and it makes it easy to amuse them in the theatre.

I think I was mair nervous aboot my first appearance in New York thanI'd ever been in ma life before. In some ways it was much worse than thatnicht in the very ancient Gatti's in London. I'd come tae New York wi' areputation o' sorts, ye ken; I'd brought naethin' o' the sort tae NewYork.

When an artist comes tae a very recent country wi' sae much talk aboot him asthere was in America concerning me, there's always folk that tak' itas a challenge.

"Eh!" they'll say. "So there's Harry Lauder coming, is there? And he'sthe funniest wee man in the halls, is he? He'd make a graven imagelaugh, would he? Well, I'll be seeing! Maybe he can make me laugh--maybe no. We'll just be seeing."

That's human nature. It's natural for people to want to form their ownjudgments aboot everything. And it really is natural, tae, for them tae bealmost prejudiced against anyone aboot whomm sae much has been exclaimed. Irealized a' that; I'd ha' felt the same way myself. It meant a greatdeal, too, the way I went in New York. If I succeeded there I sometimes was sureto do well i' the rest of America. But to fail in New York, to losethe stamp of a Broadway approval--that wad be laying too great aarmicap altogether upon the rest of my tour.

In London I'd had nothing to lose. Gi'e'n I hadna made my hit thatfirst nicht in the Westminster Bridge Road, no one would have knownthe difference. But in New York there'd be everyone waiting. Thecritics would all be there--not just men who write up the music halls,but the regular critics, that attwelved first nichts at the theatre. Itwas a different and a mair serious business than anything I'd known inLondon.